
GAFFA Creative Precinct
GAFFA Creative Precinct
GAFFA Creative Precinct
GAFFA Creative Precinct
GAFFA Creative Precinct
GAFFA Creative Precinct
GAFFA Creative Precinct
GAFFA Creative Precinct
GAFFA Creative Precinct
GAFFA Creative Precinct
GAFFA Creative Precinct
GAFFA Creative Precinct
GAFFA Creative Precinct
GAFFA Creative Precinct
GAFFA Creative Precinct
GAFFA Creative Precinct
GAFFA Creative Precinct
GAFFA Creative Precinct
GAFFA Creative Precinct
GAFFA Creative Precinct
GAFFA Creative Precinct
GAFFA Creative Precinct
GAFFA Creative Precinct
Project Information/Data
Date: 2018 - (ongoing)
Client: Creative Development/GAFFA Gallery
Location: City of Sydney (Gadigal-Eora)
Supercontext Team: Andrew Daly, Colette Hortle, Ellie Skinner, Eduard Fernandez, Rob Meyerson
Consultant Team: Cantilever Studio, Centric Engineers, BCA Logic/Jensen Hughes, SGA Fire
Built by: SHEETH Projects
Photography: Hamish McIntosh
281 Clarence St is a state-heritage listed former police station building, designed by then colonial architect James Barnet in the late 1800s. Originally 1 storey, it was subsequently added to by Barnet, and then further againt by government architect Richard Wells in the 1920s. It served as a police station until the mid-1980s when it was sold and converted into a private residence and offices. Since the mid 2000s, 281 Clarence has been the home of the Gaffa Creative Precinct, including maker spaces and an art gallery.
In 2018 Supercontext were engaged to undertake the complete refurbishment of the building which, after 30 years, was in need of upgrade to meet contemporary standards. The project developed further to incorporate a new outdoor roof garden, to be used as an extension of the art gallery as an outdoor garden and exhibition space.




The project involved the complete refurbishment of the interiors. Stripping back the layers of history in the building, 281 Clarence is a mix of construction types, of periods of construction logics and as more was revealed, more complex interfaces between heritage and intervention have been revealed. The project increasingly required careful consideration of its found state, at once reconnecting with history as much as revealing that history of intervention and strange junctions.











